摘要
《周易参同契》是魏伯阳的代表作,其中不乏可供发掘的文学艺术财富。《大丹赋》列于《周易参同契》之中,由骚体歌辞构成,文辞包涵易学和道家的思想,带有浓厚的仙道气息,融入汉代的文化,呈现出较为独特的丹易参同、情理合契的艺术价值,解读它需要明确其中的象征含义。《大丹赋》产生于东汉末年,是系列丹技类赋开风气之作,在赋文学史上应有一席之地。
Three Ways Unified and Normalized of the Book of Changes （ Cantong Qi） is a master work of Wei Bo - yang and there is wealth of literature and art lying underneath. Dadan Fu is one poetry of Three Ways Unified and Normalized of the Book of Changes, and it is composed of poetries in the style of Li Sao, characterized by cultivation of immortality and the integration of culture of Han Dynasty, which presents unique artistic value. Dadan Fu originates in the late years of Eastern Han Dynasty, which pio- neers the Fu in the field of Dan - refining techniques and takes an important part in the history of Fu liter- ature.
出处
《烟台大学学报（哲学社会科学版）》
CSSCI
北大核心
2015年第5期70-77,共8页
Journal of Yantai University(Philosophy and Social Science Edition)
关键词
东汉
大丹赋
衍易内涵
艺术特征
赋学意义
Eastern Han Dynasty
Dadan Fu
connotation of changing （ yi
） artistic characteristics
significance of Fu
