摘要
西双版纳傣族织锦被列入国家非物质文化遗产保护名录,其纹样、色彩具有浓郁的民族地域文化特色,体现了傣族特有的艺术审美情趣。伴随着现代化以及旅游业的发展,织锦的纹样、色彩发生了不同程度的文化变迁。本研究试运用布迪厄场域相关理论,对曼暖典村傣族织锦纹样和色彩进行分析和研究,解读其文化变迁的特点和规则,总结其特定的纹样和色彩彰显的文化意义和价值取向。
The brocade of the Dai ethnic group in Xishuangbanna has entered the protection list of China＆#39;s intangible cultural heritages.Its patterns and colors have typical local characteristics,and re-flect a special aesthetic taste of the Dai people.Modernization and tourism have resulted in some cul-ture-loaded changes in the patterns and colors of the Dai’s brocade.By virtue of Bourdieu＆#39;s field-habi-tus theory,this study analyzes the patterns and colors of the Dai’s brocade produced in Mannuandian Village,and reveals the features and rules of their changes as well as their cultural significance and value orientation.
出处
《云南师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2015年第5期133-142,共10页
Journal of Yunnan Normal University：Humanities and Social Sciences Edition
基金
云南大学民族学学科高地建设规划项目"西双版纳傣族各个支系的织锦工艺及其保护与传承的现状研究"阶段性研究成果
关键词
场域视阈
傣族织锦
艺术审美
变迁研究
field-habitus theory
Dai’s brocade
artistic aesthetics
study of changes
