摘要
近年来随着辽宁红山、山东大汶口和安徽凌家滩文化大量玉器相关考古资料不断涌现,通过玉器和彩陶图案的比较,我们认识到黄河、淮河流域新石器时代那些绘制在彩陶上的一些图案与当时的玉器有关,它们可能是对不同玉器的描绘。这些或抽象或具象的纹饰都是"有意味的形式"。
In recent years, the Hongshan culture of Liaoning, Dawenkou culture of Shandong and Lingjiatan culture of Anhui were continuously emerging the relevant archaeological data, through the compari- son of jade and painted pottery pattern, we realized that some patterns of the painted pottery in the Neolithic age of China at Yellow River and the Huaihe river basin were related to the jades back then, they might be the describe to different jades. These ornamentation, abstract or representational, are ＂meaningful form＂, which is the expression of subjective intention of the primitive ancestors.
出处
《中原文物》
CSSCI
北大核心
2015年第5期45-50,67,共7页
Cultural Relics of Central China
基金
科研基地建设--首都文化中心建设协同创新项目
关键词
新石器时代
彩陶
玉器图案
Neolithic age
colored pottery
jade picture pattern
