摘要
当前,是否有一个明确的"东方美学"概念并不重要,专门研究这个概念,或者其他某种"提法"的历史,也不是一个正确的学术方法。过去一些年,一些来自"东方国家"的美学,在世界上的确占据着越来越重要的位置。没有一个统一的"东方美学",只有不同民族、不同文化的审美和艺术实践中形成的各民族和各文化的美学。这种审美和文化实践,就是这些美学的研究对象。发展中国美学,还是要采取哲学与艺术相结合的方法。从一些哲学美学的原点出发,考察中国艺术的特点,再从具体的艺术特点出发,进行哲学的总结。世界美学不是两分的,即一种叫西方美学,另一种叫东方美学。各个民族、各个文化,都有着自身的审美和艺术传统观念,也有着当下的审美和艺术实践。这些是形成美学学说的土壤。面向当下实践,从传统汲取营养,对所接受的美学进行改造,是非西方民族发展自身美学的必由之路。
Whether there is a definite concept of oriental aesthetics is not that important. To specially study this con- cept or history of other wordings of the concept is not a right academic means. In past few years, aesthetics from oriental countries has occupied more and more significant status in the world. Actually, there is not unified oriental aes- thetics, there are only various aesthetics formed in different artistic practice in different nations and cultures. Such aesthetics and cultural practice is the research object of aesthetics. It is a must to adopt the means of integrating phi- losophy and art so as to develop Chinese aesthetics. Actually, world aesthetics is not bipartite that could be divided into two, one is western aesthetics and the other is oriental aesthetics. Any nation or any culture has its own aesthetic and artistic traditional concept and contemporary artistic practice. And these form the basis of aesthetic doctrine. To confront contemporary practice, and to take in the nurture from tradition, and to reform the accepted aesthetics is the only road for non -western nations to take to develop its own aesthetics.
出处
《艺术百家》
CSSCI
北大核心
2015年第4期42-45,共4页
Hundred Schools In Arts
关键词
东方美学
中国美学
西方美学
美学土壤
审美
艺术实践
学科建设
Oriental Aesthetics
Chinese Aesthetics
Western Aesthetics
Aesthetic Soil
Aesthetics
Artistic Practice
