摘要
"言与志反"现象存在于中国古代某些诗人的诗作中,尤其在南朝时期,刘勰在《文心雕龙》中曾以贬抑的态度评价"虚述人外,言与志反"这类诗歌的矛盾特点。笔者欲从剖析总结这类诗歌的特点出发,选取谢朓为研究对象,结合谢朓"言与志反"诗歌创作的范式、成因、实质三个方面,探讨和研究这类现象的发生和发展。
Irony was a commonly employed device by Chinese ancient poets, those of Southern Dynasty in particular. Liu Xie, the writer of Literary Mind and Carving of Dragons, under-valuated this instrument and pointed out its users' underlying psychology of seclusion. The author chooses Xie Tiao as the research object, endeavoring to investigate poetry of this style in terms of paradigms, components, and characteristics, and discuss its development.
出处
《广州广播电视大学学报》
2015年第4期44-47,96,共5页
Journal of Guangzhou Open University
关键词
谢朓
言与志反
山水诗
Xie Tiao
irony
landscape poetry
