摘要
《南诏奉圣乐》是由南诏王异牟寻进献于唐王朝的一部大型歌舞作品。在音乐史学及民族音乐学等学科视域范围下,通过对《南诏奉圣乐》本体、乐学乐律、音乐交流、乐器使用、政治意义等研究成果进行述评,提出在当下学术发展语境中,对其进行新的角度的思考的可能性。
The Music of Nanzhao Tribute to the Emperor was a large-scale song and dance performance which was presented to emperor of Tang Dynasty by the King of NanZhao. Under the scope of Historiography of Music and Ethnomusicology, through the summary and analysis of the scholars studies of ontology, academic rule, music communication, instruments use and the political meanings in The Music of Nanzhao Tribute to the Emperor, this paper proposes the possibilities of a new way of thinking in the present context of academic development.
出处
《大理学院学报（综合版）》
CAS
2015年第7期13-18,共6页
Journal of Dali University
基金
云南省教育厅科研基金资助项目(2014Y406)
关键词
南诏奉圣乐
本体
交流
The Music of Nanzhao Tribute to the Emperor
ontology
communication
