摘要
"意境"作为中国古代文论和美学的核心范畴,对其研究已取得了丰硕的成果。从"言-意"与"物-境"两个维度出发,通过"象"的中介作用,在"情"的催化下,梳理出中国古代文论中意境的生成。
＂Artistic conception＂ is the core category of Chinese ancient literature and aesthetics, so fruitful a- chievements have been made in the research on it. Based on the two dimensions of ＂language - meaning and ＂ob- ject-context＂, with the intermediary role of ＂image＂, and under the condition of ＂emotion＂, the paper discusses how artistic conception in Chinese ancient literature formed.
出处
《贵州师范学院学报》
2015年第7期25-30,共6页
Journal of Guizhou Education University
关键词
意境
言不尽意
两个维度
Artistic Conception
Reticence
Two Dimensions
