摘要
本文结合文献材料对辽代庆州释迦佛舍利塔(简称庆州白塔)的三方建塔碑铭——《庆州圆首建塔碑铭》、《庆州白塔螭首造像建塔碑》和《庆州五层塔室碑铭文》进行再考察,揭示出:碑文中的"南阎浮提"既体现契丹皇室崇佛,又显示其认同中原文化;庆州白塔的布置和装饰反映舍利与陀罗尼信仰交融,同时还蕴含弥勒信仰;碑刻题名中的庆州僧官和白塔均为佛教渗入契丹核心区域并发展壮大的写照。白塔的螭首造像碑受中原文化影响。碑刻中的世俗官吏题名恰可补正史之缺略。
The thesis researches the three inscriptions of Sakyamuni Buddist Relics Tower （for short White Tower） construction-the inscription of Qingzhou Yuan shou tower construction, the inscription of Chi shou Statue White Tower formation and the inscription of Five layer tower rooms - in Qingzhou in the Liao once again, combining documents. The paper discovers that Southern Yan Fu Ti not only embodies Qidan Royalty＇s Buddhist beliefs, but also indicates their identity with China Proper Culture. The arrangement and decoration of White Tower reflects the faith of Buddhist relics and Tuo Ronnie, and contains Maitreya conviction. The monk officials from the titles of White Tower and the tower equally portrays that Buddhism permeates Qidan＇s core region, and its development and growth. The inscription of Chi shou Statue is affected by China Proper Culture. Secular officials from the names of White Tower just supplement the incompletion of official history hooks.
出处
《内蒙古师范大学学报（哲学社会科学版）》
2015年第4期44-50,共7页
Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition
关键词
庆州白塔
佛教
螭首
僧官
White Tower in Qingzhou
Buddhism
Chishou
Monk Officials
