摘要
"文学成像"作为理论界最新提出的命题,学术资源是艺术史上以文学作品为模仿对象的图像艺术。它与诗画宏观比较、图像学同属"文学与图像"研究领域,但与后两者最大的不同是,将文与图还原为符号体系,从理论上探讨语图这两种不同符号之间的转化规律。这或许可证明语图符号之间的转化是一个真正的符号学问题。现代研究者应该在莱辛《拉奥孔》奠定的基础上推进"文学成像"研究,为现代读者和观者欣赏"文学图像"的活动提供参考意见。"文学成像"研究的归宿点是建构文学研究的"语图批评"方法,其方法论特征是探讨语言和视觉的关系。
In＇literary imaging＇, a most recent proposition put forward in the world of theory, academic resource is an imagistic art in the history of art that has literary work as its object for mimicking, belonging with the macro comparisons of poetry and painting and iconography to the study of＇literature and images＇.But it differs, for the most part, in that it returns the text and image to a coding system by theoretically exploring the law of transformation between the two symbols of language and images. This may prove that the transformation is a real semiotic issue. Modern researchers ought to advance the study of＇literary imaging＇on the basis of Laocoon by Lessing in order to provide the modern reader and viewer with a reference point in their activity appreciating the＇literary imaging＇. The end-result of the ＇literary imaging＇study is a construct of＇language-image critiquing＇methods in the literary studies whose methodology is characterized by an exploration of the relationship between the linguistic and the visual.
出处
《华文文学》
CSSCI
北大核心
2015年第4期56-60,共5页
Literatures in Chinese
关键词
文学成像
语图符号
语图批评
literary imaging, language and image symbols, language and image critiques
