摘要
电视的发明本身就是现代科技的直接成果,而电视文艺的发展必然与科技的日新月异同步,一定的技术手段是实现导演构思、增添电视艺术魅力的关键。技术为以影像的方式欢度春节提供了可能。其中,现场直播技术为春晚仪式思想的形成奠定重要的形式保障,同时,春晚也在演播空间的不断扩张中生成独具魅力的电视(技术)美学意蕴;而春晚的奇观化则使观众产生异质的视觉审美心理状态与价值取向,体现为一种高峰体验的欢悦。
The invention of television itself is a direct result of modem technology, and the develop- ment of television arts necessarily synchronized with the changing technology. A certain technical method is the crucial power to achieve the conception of the director and illuminate the art of the tel- evision. Technology makes it possible to celebrate Chinese New Year with images, among which the technology of live broadcast establishes an important formal security to form the ideology of Spring Festival Gala. Meanwhile, Spring Festival Gala generates unique charming TV （technical） aesthetic implication in the process of expanding the studio space of the show. In addition, the spectacle of the show is to make the audience engender the heterogeneity of visual aesthetic and psychological state values, which is reflected as the joy of peak experience.
出处
《文化艺术研究》
2015年第2期131-137,共7页
Studies in Culture and Art
基金
重庆人文科技学院2015年度科研教改项目"影像传播对大学生阅读行为的影响研究--以重庆合川区高校为例"(项目编号15CRKXJ15)的研究成果
关键词
春晚
演播空间
奇观
技术美学
Spring Festival Gala
studio space
spectacle
technical aesthetics
