摘要
在中国现当代文学史上,"乡下人进城"早已成为一种完备的叙事模式。在不同历史时期,基于不同的写作动机,这一叙事模式本身寄寓着不同的历史内涵,折射出丰富的社会变动的信息。贾平凹的长篇小说《高兴》便写了几个农民工与一座城的故事,彰显底层写作的诸多内涵。
In the history of Chinese modern and contemporary literature, the "rural people"has become a complete narrative mode. In different historical periods, based on the different motives, the narrative itself symbolizes different historical connotation, and reflects the rich social change information. Jia Pingwa's novel"Happy"wrote several migrant workers and a city story, highlighting the bottom of the many connotations of writing.
出处
《绥化学院学报》
2015年第6期54-58,共5页
Journal of Suihua University
基金
教育部人文社会科学一般项目(10YJC751108)