摘要
现代工笔有两种情况:一种是写实性的,一种是装饰性的。所谓写实性的现代工笔,是在传统的基础上更多地汲取西方写实主义艺术的造型观念、表现技法而形成,以徐悲鸿、方增先为代表的素描加笔墨的中西融合方式,相对淡化线条的运用,进一步强化色彩的写实功能。在晋唐宋的传统人物画中,色彩是绘画从属的部分,多半是不用丹青的白描,而现代工笔则力图在色彩的渲染方面结合西画的素描明暗,解剖结构,色调而别开生面。
specific,the modern meticulous painting also has two kinds of situations：one is realistic,one is decorative. The so-called realism of modern fine brushwork,on the basis of the traditional more draw shape the concept of western realism art, performance techniques and the formation,by Xu Beihong,Fang Zengxian,as the representative of the sketch with pen and ink of Chinese and Western fusion,the relative weakening lines use,and further strong color of the realistic function.？In the Jin Tang and Song Dynasties,the traditional figure painting,color is painting a subordinate part,mostly without painting Baimiao, and modern fine brushwork is trying to color rendering with Western sketch of light and shade,the anatomical structure,tone and spectacular.
出处
《枣庄学院学报》
2015年第4期129-131,共3页
Journal of Zaozhuang University
关键词
工笔人物画
中西技法
融合
碰撞
meticulous figure painting
Chinese and Western techniques
fusion
collision
