摘要
作为台湾现代派十大诗人之一的痖弦在艺术探索之中重视诗歌形式,并在自己的诗歌中自觉实践,形成了一套极具特色的诗语复现结构。文章对这一特点进行了详细的分析,横向上分成三个类型:环式、链式和簇式;纵向上划分了三个阶段:26岁之前的古典阶段,26至30岁在存在主义、超现实主义等西方技法的冲击下的出走阶段,以及30岁之后对中国诗歌传统的回归阶段。两线交融,充分展示出痖弦在诗歌艺术上的担当与贡献。
Ya Hsien , one of the ten greatest poets in Taiwan , attaches importance to the forms of poetry in his artistic exploration and consciously practices it in his own poetry, forming a unique structure of recurrence of poetic language. This article provides a detailed analysis of this, with the finding that, horizontally, there are three types, the ring type, the chain type and the cluster type, and, vertically, there are three stages, the classical period before he turned 26, the walk-out period between he was 26 and 30 when he was impacted by such Western techniques as existentialism and surrealism and the return period after he turned 30 when he went back to the tradition of Chinese poetry. The two strands merge so that Ya Hsien’s undertaking in and contribution to the art of poetry are fully exhibited.
出处
《华文文学》
CSSCI
北大核心
2015年第3期85-91,共7页
Literatures in Chinese
关键词
痖弦
诗歌结构
诗语复现
Ya Hsien, poetic structure, recurrence of poetic language
