摘要
唯美主义作为一场不连贯的运动,并没有统一的理论纲领,各代表人物之间的观点也并不完全相同。《莎乐美》作为一部形式完美和充满着唯美主义颓废色彩的天才剧作,既是唯美主义领军人物王尔德的代表作之一,又被视为唯美主义运动的经典作品。通过对《莎乐美》的戏剧题材取材、艺术表现形式以及人物形象塑造等方面进行深入剖析,可以窥探到唯美主义强调艺术自主性,与生活无关;致力于诉诸有意味的艺术表现形式;通过塑造唯美主义精英概念化身的人物形象来表现其独特的审美方式;试图在与理性的对抗中确立美的独立价值。
As a disconnected movement, aestheticism doesn＇ t have a unified theory. Therefore, the view- points of various representatives are not exactly the same. Salome, a genius play with a perfect form and a strong aesthetic - decadent color, is regarded as a representative work of Oscar Wilde--one of the best representatives of aestheticism, and the masterpiece of aestheticism. Through a detailed study of the subjects, art forms, and image - shaping of Salome, this paper explores that aestheticism emphasizes the philosophy of ＂art for art＇ s sake＂ and ＂significant form＂. What＇s more, it is believed that aestheticism represents its unique aesthetic approach by sha- ping the image of conceptual aestheticism elites, and establishes its independent value of beauty in the confronta- tion with rationality.
出处
《琼州学院学报》
2015年第3期52-56,共5页
Journal of Qiongzhou University
