摘要
《自君之出矣》,自徐幹确立后,历代拟作不断,成为乐府诗题,形成固定结构样式。女性创作该题,从鲍令晖始,但中断一千馀年,至明末兴盛。明清闺秀诗人的《自君之出矣》创作,有继承、模仿男性文人的一面,但在第二句的否定式表达结构与非否定式表达结构,第三句的"思君如"与"不如",以及第四句的承接等方面,闺秀诗人都显示出独特的创新性。《自君之出矣》题闺秀创作的兴盛,与女性社会的进步,女性自身的发展,她们受教育程度的提高,尤其对前代经典的阅读离不开,反映了女性的时代精神面貌。
Since You Left Me, after Xu Gan＇s work there were many imitation works through ages. It became a Yue-Fu title and formed a fixed structure style. The female created with this title began with Bao Linghui, suspended more than a thousand years, and prospered in late Ming Dynasty. The works under the title of Since You Left Me written by the women in inner chambers of Ming and Qing Dynasty had a sense of inheritance and imitating the male scholar. The poetesses showed unique creativity from the negation expression structure and non negative structure in the second sentence, the expressions in the third sentence, and connection in the fourth sentence,. The feminist creation prosperous by the title of Since You Left Me can not be separated from the progress of female society, female＇s own development, improvement of their education level, especially the reading of previous classical generation. It reflected female＇s spiritual features of times.
出处
《职大学报》
2015年第3期7-12,共6页
Journal of the Staff and Worker’s University
