摘要
年画艺术是民间美术的宝贵财富,体现出传统农耕文明的意象造型特点。以东昌府年画为例,解析年画图形的内涵,从形制、色彩和技艺等方面分析了年画艺术的造型特点;阐释东昌府年画的神灵附会、图形象征、移花接木等意象造型方法;论述东昌府年画造型的尚吉思想、乐生精神和向往自由的民俗审美取向,为年画艺术理论研究提供有益的参考。
Spring Festival paintings art is the precious wealth of folk art, reflecting the imagery character- istics of traditional fanning civilization. Using Dongchangfu Spring Festival paintings as an example, the con- notation of graphic paintings and modeling features from the shape, color, skills and other aspects have been analyzed in this paper. In addition, the imagery modeling methods of the gods attached, graphic symbol, graft and transplantation of Dongchangfu paintings hav auspicious Shang Ji thought, willing to germinal e been interpreted. The aesthetic orientation of folk art of the spirit, and yearning for freedom of Dongchangfu paintings are discussed, which provides useful references for the theoretical study of paintings arts.
出处
《湖南科技大学学报（社会科学版）》
CSSCI
北大核心
2015年第2期153-158,共6页
Journal of Hunan University of Science and Technology(Social Science Edition)
基金
国家社会科学基金艺术学项目(13CB114)
山东大学自主创新基金项目(IFW12047)
关键词
东昌府
年画造型
审美意象
Dongchangfu
Spring Festival paintings modeling
aesthetic imagery
