摘要
作为视觉文化重要表征的现代电影艺术逐渐影响着人们对于世界的认知和理解,这种影响除了依赖于图像来传递信息外,还要借助于影片的叙事方式。电影中多声部复调叙事一改传统的单一线性叙事模式,让多种独立平等的声音和意识统一于事件,构成进程中的并置。电影《罗生门》与《一九四二》都是复调叙事的代表之作,它们在叙事结构上有明显的相似,却也在叙事时间和叙事主题上截然不同,但无一例外的是两部电影都因复调叙事强化了故事张力,意蕴深远,增强了艺术感染力。
As an important characterization of visual culture, the art of the modern film gradually affect people＇s understanding of the world. This influence is based on the film image and the narration style. Multi--tone polyphony narration in the movie changed the traditional narrative pattern of single clue. The new style make a variety of independent clues and pushing the stories going on constantly and smoothly. The movies ＂Rashomon＂ and ＂Nineteen Forty--two＂ are masterpiece of polyphonic narration. They have many similarity in the narrative structure, but with difference in narrative theme. The polyphony narration makes the two films have twisted story, complicated plots, and unexpected artistic approach.
出处
《陕西学前师范学院学报》
2015年第3期121-124,共4页
Journal of Shaanxi Xueqian Normal University
关键词
复调叙事
《罗生门》
《一九四二》
叙事结构
polyphonic narration
＂Rashomon＇
＂Nineteen Forty--tzvo＂
narrative structure
