摘要
郑正秋通过拒绝外稿的方式,使其主持的剧评专栏事实上成为他的个人专栏,成为职业剧评的滥觞。郑氏虽然很少言及其剧评理念,但他在剧评实践中显露出来的"立公平之言"剧评原则、"社会教育"与"雅俗共赏"并重的剧评立场,远超同时代的剧评家。尤其是郑正秋对剧评"一致性"的强调,显露出其建构自身剧评体系的理论自觉,对推动传统剧评的现代发展意义重大。
Through the process of exclusively publishing his own works, Zheng Zhengqiu turned himself from the host into the sole contributor of his column on dramatic criticism, and turned the column into the starting point of professional dramatic criticism in China. Zheng seldom theorized in his criticism, but his principle of ＂impartiality＂ and his attitude toward balancing the ＂social education＂ and the ＂appeal to highbrows and lowbrows＂ were far ahead of his time. Zheng placed emphasis on the ＂consistence＂ of dramatic criticism, which reflects a theoretical awareness that helped him build his own system of dramatic criticism and accelerate the modernization of traditional dramatic criticism.
出处
《戏剧艺术》
CSSCI
北大核心
2015年第3期40-48,共9页
Theatre Arts
关键词
郑正秋
剧评
职业剧评
剧评观
现代性
Zheng Zhengqiu
dramatic criticism
professional criticism of drama
theories on dramaticcriticism
modernity
