摘要
英国文艺复兴时期的诗歌界群星璀璨,沃尔特·雷利爵士(Sir Walter Ralegh)便是其中一位。其诗《少女拒绝牧童》中的少女针对克里斯托弗·马洛的《多情牧童致爱人》中牧童热烈的田园爱情,并没有唱和顺从,反而以讽刺态度来发出属于女性自己独具一格的声音,这种声音在以男性为主体的文艺复兴时期是难能可贵的。从雷利背后最重要的两位女性和时代背景入手,以《少女拒绝牧童》的文本分析为基础,并回望这一时代不同阶层女性所传达的声音,以证实英国文艺复兴不仅是男性诗人的时代,也有女性声音的一席之地。
English Renaissance is occupied with a great number of shining stars,one of whom is Sir Walter Ralegh,whose poem, The Nymph’s Reply to the Shepherd,as the answer to Christopher’s The Passionate Shepherd to His Love,shows no obedience or agreement to the shepherd’s love,but,with irony attitude,bravely unfolds its female voices by facing the unreal pastoral love,which is rare in the English Renaissance dominated by the male. Interweaving with two women closely connected with the author and the background of the age,the thesis is based on the analysis of the poem The Nymph’s Reply to the Shepherd,and introduces some women from different social classes of his time,to prove that English Renaissance is not only an era of male poets,but is also made up of female voices.
出处
《黑龙江教育学院学报》
2015年第5期116-119,共4页
Journal of Heilongjiang College of Education
关键词
英国文艺复兴
少女拒绝牧童
讽刺
女性的声音
田园爱情
English Renaissance
The Nymph’s Reply to the Shepherd
irony
female voices
pastoral love
