摘要
视像是艺术隐域的可视化,民间艺术家通过作品的结构、色彩等可视化的形式向受众传达出民间艺术所特有的隐域民族精神和文化,作品在这一过程中充当了"隐域"向视域转换的平台,同时,惯例与习俗又促使作品隐域的形成。在传统生活中,受众与艺术家共同的审美惯例促成了民间美术隐域的正确解读和传播,在当代社会,由于受众视野和思想观念的改变,受众对民间美术隐域的解读与接受开始呈现出多义和复杂的局面。
Video image is a visual hidden domain of art. Folk artists convey to the audience the unique hidden field of folk art through the structure, color and other visual form of worksthe national spirit and culture. Works take the role of platform converting from hidden domain to visual field. Meanwhile, the conventions and customs contributed to the formation of works hidden domain. In traditional life, common aesthetic practice of audience and artists contributed to correct interpretation and dissemination of folk art hidden domain. In modern society, because of the view and idea changes, audience＇s interpretation and acceptation of folk art hidden domain begin to exhibit polysemy and complicated situation.
出处
《吉林艺术学院学报》
2014年第6期23-25,共3页
Journal of Jilin University of Arts
基金
山东省2013年度艺术科学重点课题"山东民间美术受众研究"(2013400)阶段性成果
关键词
民间美术
隐域
受众
民族
folk art
hidden field
audiences
nation
