摘要
贾樟柯影片里有关中国城市化进程中出现的贫富差异及原因、娱乐场所的意义与权力等社会景观,都被构建成具有"对抗场域"特征的"异质空间",并且非常成功地作用于对当时中国社会的底层叙事,很好地表达了社会底层的希冀及难以实现的痛楚,由此形成其影像的独特性与内涵的深广性。
In Jia Zhangke＇s film, income discrepancy and its cause, significance of amusement space, right and other societal landscape in Chinese urbanization course, are all built to be a heterotopia space with a counter - sites charac- teristic. In addition, those had successfully exerted a positive impact upon bottom - layer narration of that time, and well expressed the wish of bottom - layers, and sufferings for wishes difficult to actualize. And all these make his vid- eo peculiar and profound.
出处
《艺术百家》
CSSCI
北大核心
2015年第2期97-100,共4页
Hundred Schools In Arts
