摘要
阿瑟·丹托(Arthur C.Danto)没有对他的艺术概念下过标准的定义,诺埃尔·卡罗尔(Nel Carroll)为丹托重构了这样一个定义。本文以此为基础参照丹托《平常物的变身》,详细介绍了通行版丹托艺术定义。照此定义,某物要成为艺术作品,必须具备五个条件:具有关于性,投射某种视角,采用某些修辞性省略,具有可解释性,包含某种艺术-历史背景。本文认为,五个条件实际上可归结为三个条件,即符号性、表现性、历史性,该版本的丹托艺术定义实为符号表现论艺术观的一种特殊形式。
Arthur Danto has no standard definition for his art, which is reconstructed and provided by Noel Carol. This paper, on the basis of Danto' s "The Transfiguration of the Commonplace," introduces the popular version of Danto' s art definition, i. e. , for something to be a work of art, it must embody five prerequisites: its aboutness, its projecting a point of view, its using some rhetorical ellipsis, its interpretability, and its containing some kind of art - historical background. This paper recategorizes the five prerequisites as three, namely symbolicity, expressivity and historicity. Danto' s definition is a special form of the theory of art as symbol and expression.
出处
《首都师范大学学报（社会科学版）》
CSSCI
北大核心
2015年第2期105-113,共9页
Journal of Capital Normal University：Social Science Edition
基金
北京市教委重点项目"当代西方‘艺术’定义史研究"(PXM2013_014203_07_000218)的阶段性成果
关键词
丹托
卡罗尔
符号性
表现性
历史性
Danto Carol
interpretability
expressivity
historicity
