摘要
周大新小说《安魂》的前半部分既不脱离日常真实生活的气息,又通过死亡视角升华了日常生活,使小说表达的亲情感人至深。小说后半部分所虚构的天国来信既有对亲人灵魂得救的期望,又有对人生意义的拷问,还有对乌托邦世界的想象。小说的某种非个人化因素影响了作品更丰富意蕴空间的产生,但此小说的价值不能单从审美方面考虑,救赎也是文学同样重要的功能。
The first part of Zhou Daxin’s novel Requiem is very moving for it sublimates the affection between son and his father under the background of common life.The latter part conceives of letters from heaven,which contain expectation of redemption of his son,the questioning of meaning of life,and the imagination of Utopia. Some non -individual factors bar the rise of more abundant and meaningful space in the novel,but the value of the novel cannot be considered only by its aesthetic aspects,and redemption is of the same importance.
出处
《中州大学学报》
2015年第2期73-76,共4页
Journal of Zhongzhou University
