摘要
从平面构成的基本造型元素、主要构成形式入手,以十二届全国美展中国画作品为例,具体分析了平面构成对中国画构图的影响。研究发现,现当代中国画家借鉴平面构成元素调整画面、运用平面构成形式构成画面、构图中平面化处理客观物象,相应的作品凸现了艺术的形式美感,展现出浓郁的现代气息与时代特点。然而,绘画在强调形式美感的同时,减弱了对内容的关注。在艺术创作中,应坚守中国传统美学中关于艺术形式美不能脱离艺术内容与艺术意象而独立存在的观念,这样才能延续中国画旺盛的生命力。
From the basic design elements and main components form, with the Example of 12th National Fine Arts Exhibition, this article analyzes the effects of the graphic constitution on the composition of Chinese traditional paintings specifically. It is discovered that modern and contemporary Chinese painters show full-bodied modern breath and era characteristics by adjusting tableau with graphic constitution, composing tableau with form of graphic constitution and highlighting formative beauty with treating objective image graphically. But the attention to the content is weakened with the emphasis on formative beauty in painting. In the process of art creation, it should be insisted that form beauty of art cannot exist independently without artistic content and art images in Chinese Traditional aesthetics. Only this can the vitality of Chinese painting continue vigorously.
出处
《武汉纺织大学学报》
2015年第2期58-61,共4页
Journal of Wuhan Textile University
基金
宿州学院科研平台开放课题(2014YKF23)
关键词
平面构成
中国画
形式美
构图
graphic constitution
Chinese traditional paintings
formative beauty
picture composition
