摘要
对于当前戏曲界存在的程式与现代戏的关系问题,采取分类法加以梳理,将戏曲现代戏导演对传统程式的运用,从旧瓶装新酒式的借用、点石成金式的改造、因地制宜式的创新三个角度进行分析和归纳,以求得对两者关系问题能够达成普遍共识。
With regard to the relation between the Chinese traditional performing styles and the modem Chinese Xiqu, this paper attempts to probe into it by analyzing some modem Xiqu directors＇ utilization of the traditional performing styles, and combing them with the method of classification, which the author believes can be induced into three categories ： new - wine - in - old - bottle like borrowing, golden - touch like transformation and localized innovation, aiming to develop an acceptable new approach to this problematic issue.
出处
《民族艺术研究》
CSSCI
2015年第2期98-102,共5页
Ethnic Art Studies
关键词
戏曲
程式
现代戏
导演
Chinese Xiqu
traditional performing styles
modem Chinese Xiqu
directors
