摘要
当下,"非遗"作为当代民族文化自觉之国家行为已然进入了"自下而上""自内而外"的阶段。南音作为具备国家级和世界级"非遗"双重身份的闽南区域传统音乐品种,兼具了区域性和国际性。因此,在传播语境中,南音传承研究需要的不是是否保护与发展的讨论,而是如何传承与传播的研究。本文站在音乐学立场,从基本问题出发,以南音声乐演唱为个案阐述了何为南音、传承什么南音以及如何传承南音等三个南音传承基本问题,南音专业传承的现实问题以及国际传播中的南音传承问题等。
Currently, the protection of the Intangible Cuhural na, a country with high cultural consciousness, has become a Heritage, being a nationwide consensus in Chiself - initiate and self - consious action. Nany- in, a traditional music species in southern Fujian, with ICH identity in both national and world classes, fu- ses the regional characteristics and the international aesthetics. Therefore, in the context of Nanyin＇s transmission, its study should stresses not whether it needs to be inherited or not, but how we inherit and develop the art of Nanyin. This paper, taking the Nanyin vocal performance as an example, elaborates three basic questions in the inheritance of Nanyin： what＇s Nanyin; what is the essential characteristics of Nanyin; and how we inherited it, in the perspevtive of musicology. In addition, this paper also focus on the problems in the realistic problems of Nanyin＇s inheritance, and Nanyin＇s international transmission.
出处
《民族艺术研究》
CSSCI
2015年第2期87-93,共7页
Ethnic Art Studies
基金
教育部课题"南音演唱发声方法的新探索"(项目编号12YJA760050)
福建省社会科学规划项目"对南音演唱发音方式的研究"(项目编号:2011B191)之阶段性成果
关键词
泉州南音
传承
本质问题
声乐演唱
国际传播
Nanyin in Quanzhou
inheritance
essential question
vocal performance
international trans-mission
