摘要
周来祥作为文艺美学学科的早期立法者,其最突出的贡献有对学科细密而独特的界定,通过纵横结合的全面方法,分别划定了文艺美学的"职权归位"和"行权范围";严密而全面的体系建构,其体系具有逻辑严密、立体研究和开放发展三大特色,分别从深度和广度上成就了其文艺美学的最强的体系性。但其体系建构也有不足,主要表现在公式化的模块展现,重宏观而有失微观具体,以及理想色彩的预见构想。
ZHOU Lai-xiang is the pioneer lawmaker of the discipline of literary and art aesthetics. His most distinguished contribution is unique and scientific definition for this discipline. A comprehensive approach is used to define ＂the function and power ＂ and ＂power scope＂. The system is constructed strictly and comprehensively,whose characteristics are strictly logical,multifaceted and open. The systematic power of the literary and art is achieved profoundly and widely. There is also inadequacy in this system,which included formulated modules,micro focused,and idealistic.
出处
《哈尔滨学院学报》
2015年第4期112-116,共5页
Journal of Harbin University
关键词
周来祥
文艺美学
学科定位
ZHOU Lai-xiang
literary and art aesthetics
subject orientation
