摘要
先秦灾害神话记录了自然灾害,表现了远古先民的原始宗教信仰,是灾害研究的材料来源。与此同时,灾害神话神秘又夸张的书写笔法,对后世文学题材、结构等方面所产生的深刻影响,更使其成为灾害文学的重要主题之一。因此,从文学角度入手,概括研究先秦灾害神话的文本内容,深入分析《山海经》《楚辞》等经典著作对灾害神话的描写。进而梳理灾害神话的文学特征、神灵形象描写,才能得出灾害神话乃中国灾害文学之源流的结论,最终达到灾害神话的基础性研究之目的。
In the pre-Qin literary works, there existed disaster myths reflecting the original religious beliefs of the people, which served as sources of disaster research. At the same time, the great efforts exerted by mysterious and exaggerated writing characteristics in disaster myths made it become one of the important themes in literature. Therefore, only by investigating the literary characteristics and text content, analyzing those description in“Shan Hai Jing （ Classic of Mountains and Seas）” “Chu Ci （ Poetry of Chu）” or some key books and further deeply description of gods and goddesses, can we get the conclusion of disaster myths and realize the goal of fundamental research on the whole field via the literary perspective.
出处
《防灾科技学院学报》
2015年第1期90-96,共7页
Journal of Institute of Disaster Prevention
关键词
灾害神话
《山海经》
文学特征
神灵形象
disaster myths
“Shan
Hai
Jing(Classic
of
Mountains
and
Seas)”
literary characteristics
gods and goddesses
