摘要
随着蒙古族题材电影的产生和发展,以及电影创作观念和视听语言的精进,蒙古族题材电影音乐也呈现出一种历史的发展变化过程。早期的蒙古族题材电影音乐主要是民族风情的铺陈和标示,突出地表现为音乐"成品"的挪用或电影创作歌曲的大量使用。20世纪80年代以后,蒙古民族音乐素材得到广泛运用,蒙古族题材电影音乐更彰显出鲜明、独特的民族音乐个性;且在影片的音乐结构上日趋成熟;在音画结合上,逐渐摆脱简单地"音配画"的局限,开始重视电影音乐的造型作用。进入21世纪以来,蒙古族题材电影音乐呈现出向原生态音乐回归的趋势。更加注重音乐向叙事的渗透,重视深层的民族文化心理和情绪的刻画;在纪实性风格的影片中,更多地以生活要素和心灵咏叹的方式还原音乐的原初状态,以诗性的气质柔化了硬朗、粗粝的影像风格。
With production and growth of Mongolian Nationality movies, along with more advanced creation concept and audio-visual language, its music also evolves. Mongolian Nationality movie mu- sic in the early times, centered around description and labels of ethnic customs, mainly presented the borrow of finished music works or heavy use of original movie songs. In new era, Mongolian Na- tionality musical material has been widely used, revealing distinctive ethnic music features. With re-gard to musical structure, it turns mature. As for audio-visual counterpoint, it breaks the limit of au- dio-matching-visual and values profiling of music. In the 21st Century, Mongolian Nationality movie music begins to return to the original, with focus on musical influence on narration and depiction of underlying ethnic cultural mentality and feelings. More documentary movies employed life elements and expression of emotions to restore the natural condition, whose poetic charm softened tough image style.
出处
《文化艺术研究》
2015年第1期117-127,共11页
Studies in Culture and Art
关键词
电影音乐
蒙古族题材电影
电影音乐民族化
movie music
Mongolian Nationality movies
nationalization of movie music
