摘要
文章从秋瑾的照片入手,结合中日两国学者关于秋瑾装束的记载,讨论易装在秋瑾走向革命道路过程中起到的推动作用,分析秋瑾女扮男装的行为动机及其投射出的深层文化心理。值得注意的是,中日学者笔下的秋瑾装束有一定的出入,来自异域的记录在一定程度上扭转了人们印象中单一刻板的秋瑾形象。根据朱迪斯·巴特勒的性别操演理论,秋瑾的女扮男装可以被视为日常生活中的一种个人反抗形式。秋瑾从最初自发地反抗家庭中的夫权压制,到自觉投身于推翻封建王朝的革命活动,直至为国捐躯,在此过程中,不仅摆脱了传统女性角色的束缚,更完成了社会身份的蜕变。
This paper discusses how Qiu Jin＇s choice of outfits had played an important role in her revolutionary pursuit, analyzes the motive of her choice of outfits and the deep cultural characteristics embedded in it based on an examination of her portraits and the Chinese and Japanese records of Qiu Jin. Notably, there is obvious difference about Qiu Jin＇s outfits between Chinese and Japanese records, the foreign records renewed Qiu Jin＇s stereotyped image in Chinese people＇s impression. From the perspective of Judith Bulter,gender is the result of performativity. Qiu Jin＇s cross-dressing outfits can be viewed as a personal rebellion in her daily life. From her spontaneous rebellion against her husband to her conscious devotion of her life to the over-throw of the Qing government, Qiu Jin managed not only to escape the constraint of the traditional female role but also to complete the transformation of her social identity.
出处
《妇女研究论丛》
CSSCI
北大核心
2015年第2期73-80,89,共9页
Journal of Chinese Women＇s Studies
关键词
秋瑾
装束
易装
性别操演
Qiu Jin
outfits
cross-dress
gender performativity
