摘要
镜头、场景空间、音乐、光线色彩探究迈克尔·哈内克"极简主义"风格的同时,阐释了关于爱情、死亡、尊严纠缠与抉择的主题;解读了哈内克电影式的不同于以往作品的一场关于爱与尊严、死亡冲突下的"暴力"特征;导演将矛盾、人人可能无法规避的现实问题赤裸裸地呈现。不论是导演巧妙的隐喻符号,还是冷酷开放式结尾引发的思考,这部看上去更像纪录片的电影,仿佛张开了所有毛孔,告诉大家:"身体或许已死,但爱的期望永恒"。
Images, scenes, music and light express Michael Haneke＇s style of simplicity and interpreter the theme of love, death, dignity and cross-attachment. The conductor exposed us to the realistic issue either with metaphoric symbols or with thinking in cool thinking. The film seems to be a newsreel revealing a truth that a person might die physically but the expectation for live is internal.
出处
《景德镇高专学报》
2014年第4期71-73,共3页
Jingdezhen Comprehensive College Journal
关键词
极简主义
暴力主题
隐喻符号
开放式结尾
principle of simplicity
theme of violence
metaphoric symbols
open ending
