摘要
从一个新的维度研究上世纪30年代好莱坞米高梅公司来华拍摄电影《大地》的事件,试图指出在整个过程中中国公众和官方机构对于好莱坞的中国想象所做的能动的反作用力。这大体指涉以下三个方面:一,电影拍摄过程中公众和官方对于好莱坞想象机制的深度参与;二,电影拍摄和上映期间公众对于好莱坞本身的想象;三,电影在中国上映之后观众和媒体对于《大地》的能动性接受和积极阐释。
The paper aims to study the Good Earth event in the 1930 s which was mainly about the interaction between China and MGM. The Hollywood had an imagination about China in the film-making process,but through this event,we could find that China had an'anti-imagination',which mainly included 3 levels: firstly,the public and government had participated in the process of film-making; secondly,the public had an imagination about Hollywood itself; lastly,the public and media had made an active interpretation of the film.
出处
《浙江传媒学院学报》
2015年第1期72-80,141,共9页
Journal of Zhejiang University of Media & Communications
