摘要
民间叙事诗产生于下层民众情感发抒、审美体现的需要,表现下层民众的审美观、价值观和世界观,彰显着他们对美、对爱、对幸福生活的向往和期待。西北回族民间叙事诗是他们追求美、表现美、揭示美的外在形式,在审美形态上主要体现为反映爱情婚姻悲剧的"凄美"、寄托爱情胜利的"完美"、再现英雄史诗的"壮美"。这三种美学精神集中地表现在《马五哥与尕豆妹》《紫花儿》《歌唱英雄白彦虎》等作品中。
Folk narrative poems grow out of the need to make emotional and aesthetic expression in low-classcommunity, which exposes their aesthetic view, value view and world view, manifesting their yearning andexpectation to beauty, love, and happy life. Folk narrative poems of the northwestern Hui nationality are theexternal form to express their pursuing, expressing and revealing the beauty. In the aesthetic form, this styleof poery chiefly embodies the sad beauty on love and marriage tragedy; the perfection beauty with the lovevictory; the sublime beauty of reproducing the heroic epic.These three aesthetic spirits concetrate on theworks like “Brother Mawu and Sister GA Dou”, “Purple Flowers” and “Ode to the Hero Bai Yan-hu”.
出处
《温州大学学报（社会科学版）》
2015年第2期46-51,共6页
Journal of Wenzhou University：Social Science Edition
基金
西北民族大学文学院资助项目
关键词
西北回族
民间叙事诗
“三美”
凄美
完美
壮美
the Hui Nationality of Northwest China
Folk Narrative Poem
“Three Beauty’s”
Sad Beauty
Perfection Beauty
Sublime Beauty
