摘要
早期敦煌石窟的建造在相当程度上受到了大乘涅槃系经雕造像的影响,即依据佛经文本进行造像。其中,"一佛一转轮王"的"护法"模式以及"二佛并坐"模式最能体现这一影响。此外,敦煌石窟的造像活动并非简单复制印度佛教的做法,而是在继承贵霜造像模式的同时表现出自己的特点,并集中体现在层积性、继承性和创造性三个方面。
Carving statues according to the Buddhist Scriptures can be recognized in the early Dunhuang Grottoes,which had been deeply influenced by the carving styles of Mahayana Nirvana system.Among Dunhuang Grottoes,the influence can be obviously represented by＂One Buddha One Chakravartin＂（Dhammapala）model and ＂Two Seated Buddhas＂model.However,the carving statue activities in Dunhuang Grottoes were not simply duplicating the styles in Indian Buddhism.Along with inheriting the carving styles of Kushan Empire,it also showed their own characteristics,which concentrated on three aspects：lamination,inheritance and creativity.
出处
《中北大学学报（社会科学版）》
2015年第1期33-36,42,共5页
Journal of North University of China：Social Science Edition
关键词
贵霜经雕造像
护法模式
二佛并坐模式
敦煌石窟
carving styles of Kushan Empire
dhammapala model
Two Seated Buddhas model
Dunhuang Grottoes
