摘要
日本艺伎是日本传统文化活动的载体,其产生的源头可溯于古代社会以前的巫女。文章以日本民族宗教——神道的神祇信仰为切入点,对艺伎进行历时性研究。将艺伎产生、发展分为4个历史时期,即古代社会以前的时代、古代、中世时代、江户时代,据此来考察、分析艺伎在不同时代的雏形。从而探讨艺伎是经巫女、女官、"白拍子"、"アソビメ"、"遊女"、"踊り子"发展而来的。
Japanese geisha is a living embodiment of Japanese traditional culture, which can be traced back to the Miko before the ancient society. This paper makes a diachronic study of geisha with Japanese national religion—the faith of Shintoism as the starting point. The emergence and development of geisha are divided into four historical periods, namely the pre-ancient period, ancient period, medieval period and the Edo period, through which the prototype of geisha are respectively analyzed. Then a conclusion is drawn that geisha is developed from Miko, female ofifcials,“sirabyousi”,“asobime”,“yuujyo”, and“odoriko”.
出处
《日本问题研究》
CSSCI
2015年第1期55-62,共8页
Japanese Research
基金
上海高校青年教师培养资助计划(ZZEGD13013)
上海第二工业大学科研基金(EGD13XQD10)
关键词
日本艺伎
神祇信仰
巫女
女官
白拍子
Japanese geisha
the faith of Shintoism
miko
female ofifcials
sirabyousi
