摘要
研究南宋张炎撰写的词学研究著作《词源》之"雅正说",视野应当投射到"雅正说"的过去——对南宋词之复雅倾向的历时性回溯、"雅正说"的未来——清代浙西词派对"雅正"的拓展,在这样一种共时性的时间之轴中回归到对雅词的本位把握,从而实现文本与解释者的有机融合。从"雅正说"上下推理出词之雅化的理路,检省今日大众文化中雅俗之争,具有一定的参照意义。
The research on the standard of elegance in the lyric criticism written by Zhang Yan should be analyzed in two dimensions. The one is a retrospective review on the reactivated tendency toward lyrics in the Southern Song dynasty. The other one dimension is the diachronic perspective on the further development of the standard of elegance in Zhexi lyric school during Qing Dynasty. It is within a synchronic trajectory that a neutral examination on this discourse of lyric criticism could be fulfilled,which also integrates the internal text and the external interpreters. Indeed, the theoretical transformation of lyric criticism in specific standard of elegance has its modern value to reconsider the controversy between elegance and secularization in contemporary popular culture.
出处
《宁波广播电视大学学报》
2014年第4期10-15,共6页
Journal of Ningbo Radio & TV University
关键词
南宋
张炎
《词源》
雅正说
Southern Song Dynasty
Zhang Yan
Lyric Criticism
Standard of Elegance
