摘要
对魏晋南北朝时期"凷(塊)""俛(俯、頫)""囯(國)""冈()、罔""皂(皁)"等五组典型字例进行析源导流的分析,认识到魏晋南北朝时期,汉字构件符号化特征增强,且表现较强势,使此时期的文字显示出形体演进的多途性,字形较"乱"。但字形通过旧理据的维持和新理据的建立依然能支撑起系统的平衡,表现出动态中的稳定,故"乱"而有矩。
Based on the source analysis on the five groups of typical stone carving characters：“凷（塊）”,“俛（俯、頫）”,“囯（國）”,“冈（[冖又]）,罔”and“皂（皁）”in the period of Wei, Jin, South and North dynastes, the result shows that the symbol features of ancient Chinese characters seemed to be greatly obvious, which made its evolution into multiply form so as to be “fairly orderless”. However, the changing system kept its banlence in the dynamical situation by means of maintaining the existing rules and setting up the new ones.
出处
《铜仁学院学报》
2014年第6期124-127,共4页
Journal of Tongren University
关键词
石刻文字
隶变
多途探索
stone carving characters
transforming Li Shu
exploring in many aspects
