摘要
跨出个人趣味,在文学与历史、文学与思想的丰富场景中梳理文学现象的方法一般被称为"大文学视野"。"大文学视野"可以帮助我们在历史与思想的复杂场景中深入梳理郭沫若的思想转变。郭沫若的文学思想转折源于文学之外的社会交往与思想交流,信奉了马克思主义的郭沫若与信奉国家主义的孤军社同人有着相同的知识起点,但是后来的分歧却促使他们分道扬镳;然而,分歧同样不能掩饰郭沫若对于国家立场的新的重视,由此出发,他和其他左翼知识分子一样从"民国批判"走向了"共和国认同",这里显然存在内在的逻辑关系,对于郭沫若与中国左翼文化的理解和反省都必须以此为基。
＂General literary vision＂ can help us sort out the process of Guo Moruo＇s ideological transformation in complicated historical and ideological scenes. From social interaction and exchange of ideas beyond literature, the different literary thoughts of Guo Moruo who turned to embrace Marxism and his colleagues who believed nationalism shared the same knowledge starting point, but later their differences prompted them to go separate ways. however, their divergence can not conceal the fact of Guo＇s new emphasis on the State ＆ national positions. Starting from the new emphasis, Guo Moruo, like other leftist intellectuals, transformed from the the Repubhcan criticism to ＂the Republican identity＂. There was apparently an internal logic which must be basis of understanding and reflection of Guo Moruo and Chinese left-wing culture.
出处
《学术月刊》
CSSCI
北大核心
2015年第2期113-119,共7页
Academic Monthly
基金
国家社科基金项目重点项目"民国社会历史与中国现代文学的研究框架"(12AZW010)的阶段性成果
关键词
郭沫若
大文学视野
国家
革命
Guo Moruo, general literary vision, state, revolution
