摘要
玛哈噶拉渊源于印度教的湿婆,在被佛教密宗吸纳后,成为佛教的护法神。在清代,玛哈噶拉作为战神、护法神,受到统治者的尊崇,铜造像数量大大超过前朝。本文从图像特征入手,探究清代玛哈噶拉的西藏风格、北京宫廷风格、喀尔喀蒙古风格等多样化的艺术风格,分析其中蕴涵的审美元素和独特类型,揭示清代铜佛造像多种艺术风格融合的发展趋势。
Mahakala origins in Hindu Shiva, after being absorbed by Esoteric Buddhism, became the custodian God. In the Qing Dynasty, Mahakala as the god of war, the custodian God, respected by the rulers.Bronze statue outnumber the former. In this paper,starting from the image features, explore the Qing ta Tibetan style, Beijing court style, Mongolian-style andother diverse artistic styles, analyze the implication of the aesthetic elements and unique types, revealing the development trend of the Qing Dynasty bronze statue of a variety of artistic styles fusion.
出处
《中华文化论坛》
北大核心
2015年第1期95-102,192,共8页
Journal of Chinese Culture
