摘要
《二十四诗品》作为中国传统意象批评的代表作,以诗性方式进行言说,其典雅流畅的语言,鲜明生动的形象以及宏远深阔和想象构成了独特的自然空间、想象空间和人物空间形态,并且通过散点透视、以小见大和虚实相交的方式表现其空间意识,形成了具有天人合一、真实自然和超以象外的美学特征,完美地将诗歌理论与文学审美结合起来,形成了独特的传统文学理论。
As one of the representative work of Chinese traditional image criticism, the book of Twenty four Poetry Style constructs unique natural space, imagination space, and spatial form of characters by the way of poetic narration with elegant and fluent language, vivid images and rich imagination. Meanwhile, through expressing the space consciousness by means of cavalier perspective, imaging the big from the small, intersecting fiction and reality, the book forms the aesthetic characteristics of unity of heaven and man, authenticity and naturalness, and image out of image. It combines poetic theory with literary aesthetics perfectly and forms a special traditional literary theory.
出处
《安徽农业大学学报（社会科学版）》
2015年第1期100-104,共5页
Journal of Anhui Agricultural University:SOC.SCI.
关键词
二十四诗品
空间形态
表现方式
美学特征
Twenty-four Poetry Style
spatial form
manifestation mode
aesthetic characteristics
