摘要
京味话剧的舞台所呈现的多是关于老北京城的人文景观、市井风情、历史事件、传统文化等。它通常在当下和过去、现代和传统的对照之下,回顾消逝的胡同乡土,悼念断裂的传统文化,回忆民族的历史过往,从而展示了一番关于"北京怀旧"的文化面貌。怀旧则是重建认同的一种手段。通过再现失落的胡同乡土,可为现代化进程之下遭遇身份认同危机的现代人以暂时的抚慰;而对于传统文化的展示和痛惜,意味着现代性语境之下面对文化同质化的威胁,人们转而于本土文化寻求文化认同;关于民族共同体的重构,则是出于全球化时代的国家认同需求。但是京味话剧所展示的"北京怀旧",也是出于文化消费的目的,不能从根本上修复现代人的认同危机。
The stage of Beijing-style drama exhibits humanities landscape,daily life,historical events,such as traditional culture of the old Beijing. Comparing the present with the past and the modernization with the tradition,it is necessary to look back the vanishing local hutongs,to mourn the rupture of traditional culture,to recall the national history,thus showing the cultural feature of nostalgia for Beijing. Nostalgia is a means of reconstruction of identity. By reappearing the lost local hutongs,Beijing-style drama can soothe modern people who are in the identity crisis caused by modernization; the display and lament of traditional culture,which means that people turn to seek cultural identity in the native culture because they are in the face of the threat of cultural homogenization under the context of modernity. The reconstruction of the national community is due to the demand of national identity in the era of globalization. However,what the nostalgia for Beijing in Beijing-style drama shows is also for the purpose of cultural consumption,so it cannot fundamentally restore the identity crisis of modern people.
出处
《清华大学学报（哲学社会科学版）》
CSSCI
北大核心
2015年第1期144-155,184,共12页
Journal of Tsinghua University(Philosophy and Social Sciences)
