摘要
"老女人"是文学人物画廊中一种独特的艺术形象。从鲁迅到"鲁迅文学奖"得主的迟子建都曾塑造过"老女人"形象。这类人物形象具有丰富的文化艺术蕴含,值得深入解读和认真研究。鲁迅曾直接称"华大妈"等人物为"老女人"。迟子建秉承鲁迅的文学精神,续写了这一人物类型。她以"酋长的女人""春婆婆""吉莲娜"等人物为代表,从不同的社会历史和文化层面刻画了"老女人"的整体形貌,并以其一贯的温情建构了"老女人"的苍凉之美,从而见出其对于中国现当代文学史上同类人物形象谱系的创新性续写。
＂Old woman＂ is a particular artistic image in literary creation. Lu Xun and Chi Zijian, a winner of Lu Xun Literature Prize, both portray ＂old woman＂ in their works. Endowed with rich culture and artistic meanings, old women are worthy of in-depth understanding and careful study. Lu Xun once called Auntie Hua ＂old woman＂ directly, and Chi Zijian, inheriting Lu Xun＇s literary spirit, continues to portray this type of woman. She portrays the overall image of ＂old woman＂ represented by such figures as chieftain＇s woman, Granny Chun and Ji Lena, and constructs the aesthetics of desolate old women, which reveals her creative continuous writing of the ＂old woman＂ pedigree in the history of Chinese modern and contemporary literature.
出处
《东北大学学报（社会科学版）》
CSSCI
北大核心
2015年第1期105-110,共6页
Journal of Northeastern University(Social Science)
基金
辽宁省社会科学规划基金资助项目(L13BZW006)
关键词
迟子建
“老女人”
苍凉美
创新续写
Chi Zijian
＂old woman＂, aesthetics of the desolate
creativecontinuous writing
