摘要
村上春树1990年代中后期的非虚构作品《地下》和《在约定的场所:地下2》被认为是其创作活动的转折点,即在创作态度上由以前的逃避社会转为介入社会,受到评论界和学界的赞扬。在这之后,村上春树在创作中确实不断引入社会现实题材,显示出他对社会现实的关注,但由于他其独特的故事观和受其故事模式的制约他的介入有很大局限性。
The non-fiction worksUnderground 1 andUnderground 2written by Haruki Murakami in the mid and late 1990s are widely considered the turning point of his writing career. In these two works Murakami tended to commit his writing to the society rather than escape from it, which is highly appreciated by critics and scholars. After these two works, he constantly introduced realistic themes into his writing, which relfects his close attention to the social reality. However, his unique view and pattern of story restrict him from being committed successfully to the society .
出处
《东北亚外语研究》
2014年第4期5-11,共7页
Foreign Language Research in Northeast Asia
基金
国家社会科学基金项目"日本战后雅俗文学流变研究"(07BWW007)的阶段性成果
关键词
村上春树
故事
介入
自我
Haruki Murakami
stories
commit
self＇
