摘要
苗族古歌亦称苗族史诗,是苗族重要的口传神话作品。主要流行于苗语中部方言北部土语区。以前的学者多从民俗学和民间文学的角度去研究苗族古歌,而忽视了其语言的本体性地位。本文笔者用历史比较语言学方法对古歌神灵名称的语言本体意义进行考释,以阐述其文化意义,同时根据诸神的活动内容来佐证其语言本体意义的可靠性。
Hmong＇s songs,also called Hmong＇s epics,is the most important oral myth works of Hmong,and Mainly populared Hmong dialects in northern central area. Previously,most scholars had studied the Hmong＇s epics from folklore and folk literature perspective,while ignoring the ontological status of its language. In this paper,try to introduce the method of historical comparative linguistics for interpretating the language ontology significance of deities＇ names, and the cultural implications. At the same time,prove the reliability of the language ontology significance according to the activities of the deities.
出处
《贵州民族研究》
CSSCI
北大核心
2014年第6期55-58,共4页
Guizhou Ethnic Studies
关键词
苗族古歌
神灵名称
语义
Hmong＇s epics
deities＇ names
semantic
