摘要
作为一种文化的过剩模式,良心主义成为指导中国早期电影创作的基本理念和原则。它是各公司生产经营的旗号,是电影刊物的办刊宗旨,是导演创作的意识形态动机,是作品的根本思想诉求,也是中国电影主流叙事传统的核心内构。文章从儒学良知论传统开辟的德性伦理主义路线阐释良心主义何以能够成为中国早期电影创作的微观权力政治,进一步观察传统与"五四"的深刻关系及"五四"自身的两歧性。
As a cultural surplus mode,conscientiousness became the fundamental conception and principle guiding Chinese early film creation. It was the banner of a film corporation,aim of running a film journal,motive of film creation,fundamental appeal of a film work,and the inner core of mainstream narrative tradition of Chinese film of that time. This paper explains how conscientiousness could become the micro realpolitik of Chinese early film creation and further studies the profound relation between tradition and ＂ May Fourth＂.
出处
《艺术百家》
CSSCI
北大核心
2014年第6期65-71,46,共8页
Hundred Schools In Arts
