摘要
勋伯格的《五首乐队作品》(op.16)是他自由无调性时期唯一一部大型管弦乐队作品。该文以这部作品的第二乐章《往事》为分析对象,探讨了音级集合在作品中的运用情况,阐述了音集运动所具有的结构功能,在此基础上,文章还论述了核心集合所具有的象征意义,以及作品的整体结构途径。
TheFive Pieces for Orchestra （Op. 16） was a large orchestra composed by Arnold Schoenberg in his free atonal period. This paper analyzedThe Past, the second movement of Five Pieces for Orchestra, ex- plored the usage of pitches-class sets, and discussed its structural function, on the basis of this, it also ex- plained the symbolic significance of kernel set, as well as the approach of overall structure to the work.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2014年第4期145-153,共9页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
勋伯格
音级集合
结构功能
签名动机
交混结构
Arnold Schoenberg （1874～1951 ）
pitches-class sets
structural function
signature motif
