摘要
民族唱法、美声唱法、通俗唱法在各自发展的历程中都形成了一种独特的体系,三种唱法在发展过程中伴随着不断的碰撞,并在碰撞中相互借鉴、融合,从而不断完善自我,扩大受众,三种唱法由碰撞到融合是时代发展的必然趋势,是当代人们不断提高的审美需求和欣赏习惯的必然选择,更是三种唱法自身发展进程中所形成的内驱力推动的结果。
Folk singing ,bel canto and popular singing in their respective development ,formed a unique system . In their development , the three singing styles have undergone constant collisions ,learned from each other in the collision and integration ,and constantly improved themselves to expand audience ,w hich is the inevitable trend of era development ,the choice of contemporary people’ s aesthetic needs and appreciation habits , and the result of their ow n development drive .
出处
《合肥学院学报（社会科学版）》
2014年第6期115-118,共4页
Journal of Hefei University:Social Sciences
基金
六安市委宣传部委托项目:皖西文化艺术传承创新研究
六安市委宣传部2013年委托项目"皖西民歌艺术创作"(六宣发[2013]15号文件)
安徽省高校人文社会科学研究重点项目"文化大繁荣背景下皖西民歌的传承与创新研究"(SK2014A422)基金资助
关键词
民族唱法
美声唱法
通俗唱法
碰撞与融合
folk singing
Bel Canto
popular singing
collision and integration
