摘要
典律的生成作为文学作品历史化、经典化的基石,是文学转型最重要的内容。战后至五六十年代的中国文学处于一个文学与政治等外在因素发生着密切复杂关系的特殊年代,其典律形成的复杂性在于文学作品的典律生成既受到外在各种权力的极大干预,又顽强生成着权力无法统辖的文本内在空间。典律建构密切联系着重要文学形态提供的价值尺度,此时期新的文学形态所代表的"大众"和"通俗"的分界和互渗,构成了典律构建的基本课题。而在政治领袖哲学强大影响的时代,切实摆脱单一意识形态的主宰,真正从文学"民间"的人文性、文学性、学理性角度展开包括阅读、批评在内的经典性累积进程,才会提供经典建设性的因素。
The genesis of a genre as the cornerstone of literary historicization and canonization lends itself deeply to literary transformation. The postwar-to-1950s-60s period of Chinese literature is peculiar in that it was shaped by both literary and political factors. That is to say, the coming of a genre was greatly affected by various external power interventions; but meanwhile, there is an internal space which cannot be manipulated by external power. Genre construction was closed connected to the value criteria provided by important literary forms; the differentiation of literature of this period into ＂ public＂ and ＂ popular＂ forms and their interpenetration became the fundamental concerns of this process. At a time when strong political leaders＇ philosophies were clearly felt, folk literature, with its literariness and humaneness, wanting to free itself from this prevalent impact, had to go through a painful cumulative canonization process.
出处
《首都师范大学学报（社会科学版）》
CSSCI
北大核心
2014年第6期101-109,共9页
Journal of Capital Normal University：Social Science Edition
基金
国家社科基金重点课题(11AZD063)的阶段性成果
关键词
战后中国文学
文学典律
台湾文学
香港文学
文学转型
postwar Chinese literature
literary genre
Taiwan literature
Hong Kong literature
literary transformation
