摘要
文章立足于重审自2007年以来的七年中对冯小刚电影的研究,并从文献的数量、学科和质量上进行了分析,其中特意提到了官方背景对此研究的影响;回顾了这七年中产业环境、创作环境的变化对冯小刚创作的影响,特别是由冯小刚带来的主旋律外化问题,以及新媒介环境的电影逻辑;最后,将今天的冯小刚置于"回归与螺旋"的体系建构中予以阐释,强调其今天的意识形态属性,并对电影学界未来如何进行冯小刚研究提出了展望。
This article is based on review of the researches on Fng Xiaogang film since 2007,and analyzed the number,disciplines and quality of literatures,in which specifically referred to the influence of official background to this research field; Recalled the impact to Feng Xiaogang which from changing of industrial and creation environment,especially the spillover problem on the main theme and the film logic in new media environment; finally,put Feng into the systerm of 'return and spiral',emphasized its ideology property and looked forward to future academic Feng Xiaogang film studies.
出处
《浙江传媒学院学报》
2014年第5期69-73,139,共5页
Journal of Zhejiang University of Media & Communications
