摘要
面对当前社会、文化背景发生巨大变化的事实,传统艺术需要找到新的媒介以适应这种改变。当前对侗族剪纸的保护形式在应用性与传播性上尚有欠缺,数字媒体的介入将对此现状产生部分改变。对侗族剪纸的再设计需要对其背景、情境等知识进行全面了解,这样的设计才是真实的、有根据的。所以我们强调使用参与式的方法进行研究与设计。文章将对湘黔桂侗族剪纸进行设计探索,落实于影像设计和交互设计两方面,试图从以下几个层面探索参与式设计的可能性以及具体的途径与方法:构建真正为设计可用的本土知识为主的学习型设计知识资源平台;用影像、交互等设计方式关注手工艺传人及他们的生活,真正向他们学习,并采用参与性设计方法,"共知共行"协同创新,将传统艺术以大众更可触及的方式重新融入人们的生活;为社会创新而设计,利用数字媒体的特点传播辐射,扩大社会影响力。:
Traditional arts need to find a new medium to accommodate change of social and cultural background. The current protection forms of Dong＇s paper-cut still lack in aspects of application and communication, and digital media would be supposed to change this situation partly. Redesign of the Dong paper-cut need comprehensive knowledge base of its background and context. Only acquired with it, could design be real and evidence-based. Thus, we emphasize on participatory approach to research and design. We studied Dong paper-cut design located in Hunan, Guizhou and Guangxi province with movie design and interaction design, and tried to explore the possibility of participatory design and the specific ways and methods as followings： building inspirational knowledge platform; paying close attention to craft＇ s successors and their lives and learning from them with collaborative innovation; designing for social innovation with digital media to achieve radiation propagation.
基金
湖南省社科项目13YBA076
国家科技文化融合项目2012BAH85F02
2012BAH85F01资助
关键词
侗族剪纸
交互设计
设计知识
参与式设计
Dong＇s paper-cut
interaction design
design knowledge
participatory design
